Unfinished at the time of his death, F. Scott Fitzgerald’s The Last Tycoon is a story of doomed love set against the extravagance of America’s booming film industry. This Penguin Modern Classics edition is edited with an introduction by Edmund Wilson.
The studio lot looks like ‚thirty acres of fairyland‘ the night that a mysterious woman stands and smiles at Monroe Stahr, the last of the great Hollywood princes. Enchanted by one another, they begin a passionate but hopeless love affair, starting with a fast-moving seduction as slick as a scene from one of Stahr’s pictures. The romance unfolds, frame by frame, watched by Cecilia, a thoroughly modern girl who has taken her lessons in sentiment and cynicism from all the movies she has seen. Her buoyant humour and satirical eye perfectly complement Fitzgerald’s panorama of Hollywood at its most lavish and bewitching.